The Springtime of the Renaissance: Sculpture and the Arts in Florence 1400-60
Author | : | |
Rating | : | 4.35 (955 Votes) |
Asin | : | 8874611862 |
Format Type | : | paperback |
Number of Pages | : | 560 Pages |
Publish Date | : | 2014-05-12 |
Language | : | English |
DESCRIPTION:
"Absolutely beautiful book for a great price" according to Veronica. Absolutely beautiful book for a great price. I saw it at a museum in Italy and had no room to pack it so I'm glad I found it here.. Sculpture and the Other Arts in the Early Renaissance This is the catalogue for the exhibition of the same name at the Palazzo Strozzi in Florence from March to May 2013 and at the Louvre in Paris from September 2013 to January 201Sculpture and the Other Arts in the Early Renaissance Kenneth Hughes This is the catalogue for the exhibition of the same name at the Palazzo Strozzi in Florence from March to May 2013 and at the Louvre in Paris from September 2013 to January 2014. It is an enormous tome of around 550 large pages, beautifully produced and lavishly and excellently illustrated, and as far as I can see, it is the most comprehensive and up-to-date book on its subject currently available. The legacy of . . It is an enormous tome of around 550 large pages, beautifully produced and lavishly and excellently illustrated, and as far as I can see, it is the most comprehensive and up-to-date book on its subject currently available. The legacy of . Edward A. Mainzer said Great Book Documenting a Major Exhibition. Not only fine documentation of a major international exhibition (as visited in its Paris installation), but also a major scholarly production in its own right which will continue to be read and referenced for years to come. The first "Great Book Documenting a Major Exhibition" according to Edward A. Mainzer. Not only fine documentation of a major international exhibition (as visited in its Paris installation), but also a major scholarly production in its own right which will continue to be read and referenced for years to come. The first 2Great Book Documenting a Major Exhibition Edward A. Mainzer Not only fine documentation of a major international exhibition (as visited in its Paris installation), but also a major scholarly production in its own right which will continue to be read and referenced for years to come. The first 245 pages consist of brief scholarly essays by many hands while the pages that follow contain detailed catalogue entries with references organized to reflect the thematic organization. 5 pages consist of brief scholarly essays by many hands while the pages that follow contain detailed catalogue entries with references organized to reflect the thematic organization. Great Book Documenting a Major Exhibition Edward A. Mainzer Not only fine documentation of a major international exhibition (as visited in its Paris installation), but also a major scholarly production in its own right which will continue to be read and referenced for years to come. The first 245 pages consist of brief scholarly essays by many hands while the pages that follow contain detailed catalogue entries with references organized to reflect the thematic organization. 5 pages consist of brief scholarly essays by many hands while the pages that follow contain detailed catalogue entries with references organized to reflect the thematic organization
It was an era of intense creativity and astonishing potential, with new techniques and skills contributing to its remarkable achievements, notably Brunelleschi's Dome and Ghiberti's Gates of Paradise.In this explosion of artistic talent, it was sculptors who frequently led the way - not only Ghiberti, who revived the art of large-scale bronze casting, but the genius Donatello, whose inventive design, expressive range and technical versatility are unparaleled. Masaccio translated Donatello's inventions into paint; in the next generation, the sculptors Luca della Robbia and Desiderio da Settignano, and the painters Paolo Uccello and Filippo Lippi, elaborated these ideas.The Springtime of the Renaissance, Scu