Get the Callback: The Art of Auditioning for Musical Theatre
| Author | : | |
| Rating | : | 4.84 (859 Votes) |
| Asin | : | 0810869187 |
| Format Type | : | paperback |
| Number of Pages | : | 162 Pages |
| Publish Date | : | 2017-08-29 |
| Language | : | English |
DESCRIPTION:
(Journal of Singing, January/February 2010) . The style is direct, the writing is economical, and the counselis practical. Advice and tips are offered in great detail as he takes the reader through every aspect of an audition. It will be an integral part of my curriculum. (CHOICE, January 2010)Jonathan Flom has written from his heart and vast experience an easy-to-read, user-friendly book. What a wonderful and much needed resource. Listen to what Jonathan Flom has to say in this book. Flom provides real-world insight into this truly unique, often-neglected performance area. The format will not intimidate students, but is detailed enough to be useful for the aspiring professional. Whether you are a high school student ready to audition for college theatre programs, or a college student entering the professional world, this book is a must read. A useful and reasonably priced reference source. (Movie Memories Magazine, January 2010)Listening is one o
Fabulous resource I'm a newbie, and have found this book to be ideal for guidance about ALL aspects of auditioning. I wish there were books this good, this practical, this comprehensive, this concise in every other endeavor in life!. Workingactor said Audition Bible. One of the best books I've found on auditioning. I've been in the business a long time and I still learned some great tips from reading this book. It's a "must have" for your theatre library.. great book of guiding you step by step MusicLover this book well organized , and well presented for all the reader that wants to know how is world of auditioning and how one can do the best.
The book includes valuable information on callbacks and how to field job offers, providing advice on contracts and negotiations. He gives a detailed description of the actual audition performance and even offers advice on how non-dancers can survive a dance audition. It also coaches the actor through the ins and outs of pursuing a career in musical theatre. The book concludes with three appendixes: a list of recommended dos and don'ts, and two lists of appropriate audition repertoire by genre and by actor
. Jonathan Flom is assistant professor of Musical Theatre at Shenandoah Conservatory